Brandeis Bugs Tutoring: All About The Institution

Brandeis Bugs Tutoring: All About The InstitutionBrandeis Bugs Tutoring is a school for students with various learning disabilities. It is located in the town of Newburgh, Connecticut. The students have a wide range of learning difficulties and disabilities including dyslexia, autism, special needs, dysgraphia, and many others.Brandeis Bugs Tutoring works with a large number of students on a regular basis. Brandeis Bugs is a private learning institution. There are special educational programs that are offered for students with varying levels of disabilities.The students have many different learning disabilities and Brandeis Bugs strives to help each student who enters the school to overcome any barrier they may have. Brandeis Bugs tries to provide an environment in which the students can excel in a classroom environment. These are basic programs available to the students including, speech therapy, art, music, math, computer classes, and the general needs of the students are being met . Students with any disability can be part of Brandeis Bugs.The school has a well structured, well defined, and organized system of procedures and policies that it uses to ensure that the students are going to be treated with the utmost respect and that each student who is registered as a student at the school has a rightful place in the school and a legitimate opportunity to learn. The business entity runs an open enrollment policy, so anyone from any school can be accepted as a student at Brandeis Bugs. Students are not required to meet a specific grade point average or a certain minimum GPA.The students are receiving support from the school, teachers, counselors, and others in the school who are helping the students, and the school, with any special needs they may have. The students can get assistance from their friends and family members who may want to volunteer their time to make it easier for the students to meet their needs. The students do not have to be a member of the sch ool to attend the school.There are instructors who specialize in teaching Brandeis Bugs to the students. These instructors are dedicated to educating and training the students in a manner that they can learn and grasp all of the information they need to be successful in school. The instructors are trained to encourage the students to be successful in school and they know exactly what to do to help the students succeed.The Brandeis Bugs Instructional Center is the place where the students will be taught about the various learning disabilities that they may have. The students will learn all about the different types of learning disabilities that they may have and how they can best use these disabilities to their advantage. The students will also learn about the basic programs they will need to be successful in school and in life.The students have an individualized education plan that they have been put on as part of their enrollment at Brandeis Bugs. They know what to expect in terms of the requirements that they must meet in order to complete their educational program. They know what they must do to be successful and they are on their way to earning their degree.

How to do Downward Dog in Yoga

How to do Downward Dog in Yoga How do I do Downward-facing Dog? ChaptersPreparationDownward Dog: Step-by-step InstructionsPhysical BenefitsModifications VariationsDownward-facing dog, or Adho Mukha Svanasana, is an essential yoga position for beginners to learn. This move is one of the most recognised and easy yoga poses, and it’s a critical foundation and transition for many other positions too.Downward dog pose is a great starting point for your yoga â€" and even just for a morning stretch - and it’s an easy transition into other poses such as Tadasana, plank, cobra and child’s pose, for example. It can also be used as a resting pose and strength-builder for the moments between movements.Downward-facing dog pose is also a wonderful way to stretch out and relax, as it straightens the spine and stretches out your limbs, abs, buttocks and shoulders. It’s a wonderful way to stretch down after a cardio or weights work out, or at any point in the day when you feel a bit tightly wound!We’ve put together a step-by-step guide to show you exac tly how to practice your downward dog pose, and how to perfect it so that you can start incorporating it into your routine.A strap can be useful when practicing this yoga pose. You can try looping your arms together just above the elbow, and use this resistance to push your shoulder blades out. This will help strengthen the upper arms and keep a strong balance.A challenging variation on downward dog is to raise up a leg behind you as you inhale. Make sure the leg is parallel to your torso, and that your hips are kept level. Hold this for 30 seconds to a minute if you can manage it, and release on an exhale. Repeat on the opposite side.You can also try using a partner for this pose, which can really help with you keep a firm V shape.By getting your partner to stand behind you holding a strap around the front of your groin, they can pull on the strap in a parallel motion to the line of your spine. This will help you push deeper into your downward dog, pushing into your pelvis and leng thening the front of your torso away from the strap.To learn how to do the downward dog and other yoga poses including the dynamic warrior pose, no need to search the Internet for yoga near me: simply head to Superprof, where any number of yoga teachers welcome you!

5 Ways Women Sabotage their Communication in the Workplace - Introvert Whisperer

Introvert Whisperer / 5 Ways Women Sabotage their Communication in the Workplace - Introvert Whisperer 5 Ways Women Sabotage their Communication in the Workplace Forget the glass ceiling. The fact is: women communicate differently than men and, too often, to their own detriment. They tend to speak up less, apologize more, downplay their achievements and use less-powerful body language â€" all of which impact their career success. This seed is often planted in early childhood, when women learn to avoid visibility and recognition. According to world-renowned linguist Deborah Tannen, men learn to display their abilities and knowledge and emphasize their status, while women learn to downplay ways they’re better than others in order to build rapport. As a result, women solicit and receive less recognition than men. Not surprisingly, women tend to fall into the same patterns in the workplace. They’re reluctant to divulge their achievements, yet avoiding such discussion hinders their opportunities for recognition and advancement. Here are five ways women sabotage their communication in the workplace:        1. Communicating Indirectly Women tend to have an indirect communication style, using softening devices such as hedges and questions to soften their words’ impact. However, this tactic lacks a sense of assertiveness and authority. For example, saying, “If you get a chance, will you please draft and send me the meeting notes at your convenience?” is an entirely different statement than, “Please draft and send me the meeting notes tomorrow.” By being more direct, women typically find the results to be more aligned with their intent.       2. Downplaying Achievements   Women often have a fear of self-promotion. Part of the problem, according to Flynn Heath Holt Leadership, is that women are too modest â€" they believe accomplishments should speak for themselves. While men are more attuned to the power dynamics of a conversation, women focus more on the rapport elements. For example, to avoid seeming boastful, a woman may use the term “we” when referring to an achievement she actually performed on her own. By being specific and direct about their contributions, while giving appropriate credit to the team, women can ensure they receive the recognition they deserve.        3. Taking the One-Down Position The traditional gender roles of business can relegate women to an impossible and perpetual one-down position, according to Tannen. A mismatch in how common rituals among women, such as exchanging compliments, play out can confuse exchanges in the workplace. For example, a woman might take the one-down position (“I don’t think my speech went well”) assuming the other person will recognize the ritualistic nature of the self-denigration and pull them back up (“Really? I thought you did great!”). However, men are more likely to respond with advice (“Well, you can always get a public speaking coach”). Similarly, women are socialized to downplay their certainties, while men are socialized to minimize their doubts. The problem for women is that the norms of business are based primarily on a male style of interaction. As such, a perception of indecision or uncertainty damages a woman’s credibility.       4. Apologizing More Apologies are often used by women as a conversational ritual to establish rapport. However, apologies tend to be regarded differently by men, who focus more on the status implications of an apology. A 2010 study by psychologists Karina Schumann and Michael Ross found that women apologize more often than men and have a lower threshold for what warrants an apology. For instance, women tend to apologize for situations that aren’t their fault or are out of their control. However, excessive apologizing leads to women being perceived as weak and, as a result, limits their influence and opportunities. As such, women must learn to recognize when an apology is and is not necessary.        5. Using Less-Powerful Body Language Men naturally take up more space and convey a sense of power. By using less-powerful body language â€" such as folded arms, indirect eye contact or a weak handshake â€" when interacting with others, women are putting themselves at a disadvantage by conveying a sense of inferiority. Instead, they should make a point to practice body language that conveys a sense of confidence and authority. By recognizing these communication nuances and the role they place in hindering career advancement, women can better equip themselves for achieving success both in the workplace and in their personal lives. Guest Authors:

A Beginners Guide to the Xylophone.

A Beginner’s Guide to the Xylophone. Everything You Need to Know about the Xylophone. ChaptersWhat is a Xylophone?Where You Will Have Heard the Xylophone.Some Things to Know about Playing the Xylophone.Where to Find a Xylophone Teacher Near You.The xylophone is a wonderfully diverse instrument. An instrument on which kids often have their very first experience of playing musical notes. But also an instrument which, when played by a virtuoso, can produce some of the most exhilarating and incredible music that has ever been played.In between these two extremes, this percussion instrument provides a wide range of musical possibilities: lines in a percussion ensemble, jazz grooves and solos, and the accompanying rhythms to many a pop song or prog rock epic. However, it is these performances that tend to go overlooked.Here, we are going to look at all the different things you will need to know if you want to become someone who plays this most versatile of percussion instruments.We’ll take a look at the xylophone’s history as well as the different types of the musical i nstrument that you might be interested in playing. We’ll look at some of the most inspiring players of the xylophone and its most famous performances. Then, we’ll look at some of the techniques that you will need to play the xylophone yourself â€" and end by showing you some ways to find a xylophone teacher.Because the xylophone is not just an instrument on which you can play ‘Mary Had a Little Lamb’ when you are in school. Rather, it is an instrument that will inspire even the most ambitious musician. And, if that’s you, you are in the right place.Let’s take a look at everything you need to know about the xylophone! Learn to play the xylophone from an early age! SerbanDrum Teacher 5.00 (11) £40/h1st lesson free!Discover all our tutors RickyDrum Teacher 5.00 (7) £35/h1st lesson free!Discover all our tutors RussellDrum Teacher 5.00 (4) £30/h1st lesson free!Discover all our tutors JamesDrum Teacher 5.00 (5) £20/h1st lesson free!Discover all our tutors StephenDrum Teacher 5.00 (3) £30/h1st lesson free!Discover all our tutors PeteDrum Teacher 5.00 (2) £20/h1st lesson free!Discover all our tutors OllieDrum Teacher 5.00 (5) £25/h1st lesson free!Discover all our tutors AlexDrum Teacher 5.00 (5) £20/h1st lesson free!Discover all our tutorsWhat is a Xylophone?So, what is a xylophone? Whilst you probably know it in its first definition, it is worth noting that there are in fact two different definitions of this instrument â€" one quite a lot more specific than the other.Generally, then, we use the term xylophone to refer to any tuned percussion instrument arranged in wooden bars. This conse quently includes things like the marimba, the balafon, and other such instruments as the vibraphone.However, if you were to ask a specialist â€" a percussionist in an orchestra, say â€" they’d tell you something quite different. Xylophones, to them, in their most specific sense, are instruments that quite distinct marimba, say â€" although both use mallets or beaters.Where a marimba would have vertical pipes or resonators beneath each of the horizontal bars, a xylophone does not. And, as a result, there is a significant tonal difference â€" as the xylophone’s sound is much higher pitched and drier than a marimba.However, all of these instruments mentioned here â€" including the glockenspiel too â€" come from the same family of idiophones, instruments that produce a sound through the vibration of the whole struck element. It is important to note, though, that xylophones are made of wood. The metal variety is known as the metallophone.Consequently, whilst you will see that there a re many similarities between the family of tuned percussion, orchestral percussionists need to make very distinctions â€" as the precise quality of the sound makes an important difference.A Brief History of the Xylophone.You can check out a bit about the history of the marimba in our article on how to learn the marimba, yet here we are going to go over some of the key points â€" as the histories of the marimba and the xylophone often overlap.We can identify three, probably distinct, histories of the xylophone, coming out of Asia, Africa, and, later, Europe.The oldest of these traditions is probably that from south-east Asia, where people from Java and Bali are thought to have used the gamelan for potentially thousands of years. Similarly, there is evidence that instruments similar to a xylophone have been used in China for an equal amount of time. And whilst we know a lot about these specific instruments, the chances are that similar percussive instruments have been used across the whole region.Whilst some music historians have argued that, from there, the instrument moved to Africa, this is not necessarily true: there was probably a distinct tradition of tuned percussion instruments in west Africa that was completely separate from that in Asia. We just don’t know for sure.In Europe, the first mention we see of the instrument is much later â€" in the sixteenth century in Germany â€" yet there is evidence of such instruments in Eastern Europe too. It was Camille Saint-Saens, the Romantic French composer, who first used a xylophone in a piece of classical music.Check out how to play the tambourine - or even playing the triangle! You'll need to learn to read music to play the xylophone.Are there Different Types of Xylophone?The diverse history of the instrument would suggest immediately that yes, there are indeed different types of xylophone. In fact, we have mentioned a few of them already.The balafon is one of the oldest types of xylophone â€" a west African instrument that is made up usually of twenty-one different keys. These are usually affixed with leather straps to a wooden frame.At school, we are often told that a glockenspiel is a type of xylophone. However, it isn’t really. Whilst a xylophone has wooden keys, the glockenspiel is one of those musical instruments made of metal â€" and so is a metallophone instead.Finally, there is an important difference between xylophones that are diatonic, pentatonic, or chromatic. In the percussion section of a symphony orchestra, say, they will always use a chromatic xylophone â€" i.e. one which has every note of the scale, across different octaves, with the sha rps and flats.Pentatonic and diatonic xylophones, however, only have the notes of a given major scale â€" either five, in the case of the pentatonic, or eight in the case of the diatonic.Learn to play the steel hang!Where You Will Have Heard the Xylophone.So, let’s take a look at some of the most impressive xylophone performances there have been, through the worlds of classical, jazz, and contemporary music. Here, you’ll see that the xylophone is not just the instrument of the classroom, but of all musical worlds â€" from orchestral percussion to pop.Evelyn Glennie.Potentially the world’s principal percussionist, Evelyn Glennie is a legend of orchestral percussion music â€" playing with orchestras and solo across the length of her career.An awesome musician and soloist to begin with, she is known particularly for the fact that she has been deaf since her childhood. However, this hasn’t stopped her doing anything.Lionel Hampton.One of the most important percussionists of the twentieth century, Lionel Hampton was a huge figure in jazz in his time too.He played the vibraphone and xylophone with some of the biggest names in jazz.Pink Floyd â€" See-Saw.Before they made it as the UK’s biggest prog band ever, Pink Floyd released the dreamy, which features all sorts of different instruments. One of these is the xylophone, which accompanies the song â€" beautifully.Some Things to Know about Playing the Xylophone.Learning to play the xylophone may look easy. However, if you are hoping to take your xylophone skills to the level of Evelyn Glennie’s, you’ll need to have another look.As with all musical instruments, nailing the technique is absolutely crucial to progressing with the xylophone. You can’t just hit the beater on the bars willy-nilly: you need to know how to hold the mallets properly.This means that you need to ensure that you are in a relaxed, balanced posture before you start playing. Ears above the shoulders is crucial here.Holding the mallet is the next thing. Pinch the stick with your thumb and index finger. Then wrap the rest of your fingers around the stick.The most important thing here is to stay relaxed. Without that, you aren’t going to get the flexibility of the wrist that you are going to need. Fancy playing the xylophone?Where to Find a Xylophone Teacher Near You.There are many ways to find a xylophone tutor. However, the best one is through Superprof, a platform that brings students and tutors together across the world.You’ll be able to find a percussion tutor to help with your xylophone skills in your area â€" or, if not, you can take xylophone lessons online, via Skype. This gives you the freedom to take classes from your own home, with your own kit and on your own schedule.It’s really important to know that, if you want to excel in the xylophone, you need to get yourself a tutor. They’ll show you the right technique, give you inspiring repertoire, and keep you motivated to keep on learning. That’s what teachers are for!

The 12 Essential Chords You Need to Play Country Guitar

The 12 Essential Chords You Need to Play Country Guitar Sign up successful D-G-A-A7-D-G-A-A7-D Remember, mastering the guitar can take years of practice. You don’t have to be the best guitar player in the world when you’re just beginning your journey. When you’re learning chords, memorize the finger placement so you don’t have to refer back to the diagrams. Playing a series of chords in a progression is the most efficient way to memorize chords. Country Music Theory Now let’s look at the basic music theory behind country music. Country music uses a lot of major guitar chords. It also uses the dominant 7th chords. These chords can be built in any key using any scale with a tiny bit of music theory knowledge. Building Major Chords Major chords are made up of three notes: the tonic, third, and fifth interval. These three notes are pulled directly from the scale of the chord that you are playing. Let’s look at the C major chord as an example. The C major scale is C(1)-D(2)-E(3)-F(4)-G(5)-A(6)-B(7)-C(8). It consists of natural notes (no sharps or flats). To build the major chord, take the first, third, and fifth notes from the C major scale (C-E-G). Here’s another example with the D major chord. The D major scale is D(1)-E(2)-F#(3)-G(4)-A(5)-B(6)-C#(7)-D(8). Take the first, third, and the fifth notes, which are D, F#, and A. Building the dominant 7th chord is just as simple as building a major chord, but we add one more step to the process. First, take the first, third, and fifth notes from the desired scale. The next step is to take the seventh note from the desired scale. For the D dom7 chord, use the D major scale (D-E-F#-G-A-B-C#-D). Use the first, third, fifth, and now, the seventh note. This gives you D-F#-A-C#. For a minor chord, take the first, third, and fifth notes from the scale, but this time, use the minor scale rather than the major scale. Try this with the C minor chord. The C minor scale is C-D-D#-F-G-A-A#-C. When you pull the first, third, and fifth notes, you get C-Eb-G. This process is a lot easier when you memorize the major and minor scales. Remember the steps: W-W-H-W-W-W-H for the major scale, and W-H-W-W-H-W-W for the minor scale. If you want to play and build a progression, select three or four of the 12 essential   chords, and make up a progression or sequence. You can make up tons of different progressions with the 12 essential chords. Playing these progressions will help you transition from chord to chord. You can use any rhythm when you play. When you practice, you should focus on making smooth transitions (no gaps or hesitation) from one chord to the next. Start out slow, and then pick up the tempo. Build Your Own Progressions I will use E major to show you how to build your own progression. Use the E major scale, lift the tonic (E), third (G#), fifth (B), and the seventh note (D#). When you build a major triad over these four notes, you get the four chords of the I-III-V-Vii chord progression. This rule will work for any chord progression you want to build. There are hundreds of songs out there that use the 12 essential country guitar chords. Alan Jackson’s song Drive”uses G,D, and C, and repeats the G-D-C-C  pattern for the majority of the song. Check Yes or No, by George Strait, uses a I-IV-V chord progression in the key of D. The D-G-A pattern repeats throughout the song. Now that you know the essential country guitar chords and the history behind them, it’s time to start practicing. You can use these  classic country songs  to practice the chords and perfect your technique. Need some help perfecting your country guitar skills? Find a private guitar instructor near you!  Zachary A. is a guitar instructor in Katy, TX specializing in beginning and intermediate students. He is currently earning a degree in  music theory. Learn more about Zachary here! Interested in Private Lessons? Search thousands of teachers for local and live, online lessons. Sign up for convenient, affordable private lessons today! Search for Your Teacher Photo by Atauri.

How to Pass the ACT Online ACT Prep Online Tutoring Tutorpace

How to Pass the ACT Online ACT Prep Online Tutoring Tutorpace ACT test is a recognized test in the United States and high school students take this test to showcase their academic capability and their readiness to start their college life. ACT test examines a students logical and conceptual knowledge in 4 subjects and good scores in these sections displays the students ability to take on college level courses. Therefore most colleges and universities accept and recognize these scores as it helps them make a decision regarding a students selection. In order to get good scores, students should learn and improve their basic concepts in a subject. ACT test paper consists of 4 main sections: English, Mathematics, Reading and Science Reasoning. Some colleges also prefer students writing scores and ACT offers an optional Writing section and students have the choice to take it. To do well in the English section, students should improve their grammar and rhetoric skills such as punctuations, verb-pronouns usage, sentence structure etc. The organization of a sentence, tone of voice of the author etc. are the few important things students must focus on. For the Mathematics section, students should practice math questions from various topics learnt in their high school or in other lower grades. It is important to know how to use the math formulas and should also practice answering them in a limited time. Reading and Science sections consist of questions based on the given passages, so students should be able to comprehend and relate the given passage to the question.

Why You Should Always Listen to the Quiet Ones - Introvert Whisperer

Introvert Whisperer / Why You Should Always Listen to the Quiet Ones - Introvert Whisperer Why You Should Always Listen to the Quiet Ones Not everyone can be supremely confident in meetings or group discussions, but employers would be wise to listen to the quiet ones.   You’ll often find that those who shout loudest in the workplace are sometimes the ones with the least to say, while those who keep their peace will almost always bring something valuable to the conversation. Rather than give the floor to the most vocal individuals in the room, here is why employers should give the quiet ones more room to talk. Dominating meetings   We’ve all sat in meetings where people keep talking over one another, or voices get louder and louder as the discussion becomes more heated.   The most vocal people can generate a lot of heat and not much light, so determined to get their contribution heard that they completely switch off from what everyone else is saying. No meeting can progress if there’s too much voice-raising and not enough  listening, and therefore useful  debate.   If those in charge of the meeting want to make some real headway, the best course of action is to take charge, tell certain people to pipe down and maybe invite the quieter ones in the room to chip in.   Giving them a platform will encourage them to speak up if they do have a worthwhile contribution, but they’ll also know to pass the baton back if they have nothing to add. A way to get everyone in the room contributing is to go round the group, inviting people to share ideas and suggestions one at a time.  Some individuals dont like to be put on the spot, which is why its best to  inform  those contributing in the meeting beforehand to come prepared. Thoughtful Contributions Chances are that while everyone else is speaking, the quiet ones are mulling things over and will have something genuinely useful to contribute if and when they get the chance.   People who are too quick to jump in and have their say seldom offer up fully-formed ideas â€" if you’re too quick to open your mouth, what tumbles out is rarely worth hearing. That means that when the quiet ones do chip in, they really can have words of wisdom to impart.   You might spot them taking notes, which can be a good sign that it’s time to invite them to take the floor.   Never push someone to join in if they’re clearly not comfortable with the situation, but also don’t mistake shyness for disinterest.   They’re usually the most engaged people in the team. Time and Space Quieter team members aren’t always the strongest verbal communicators, but you’ll probably find they more than make up for that through the written word.   Inviting people to drop you an email if they have any more ideas after the meeting can be the quickest way to hear what the quieter ones are actually thinking, and their thoughts are just as valuable for being written down as they would be spoken out loud. Writing things down instead of speaking up also gives them more time to reflect and find the best way to phrase things.   If you get a follow-up email with something really valuable in it, you can always pass it on to the rest of the team.   Check that they don’t mind being credited with the ideas, though, because some people would rather remain under the radar. There’s truth to the saying that still waters run deep.   If you have quieter individuals on your team, be sure to give them the time and space they need to express things in a way they’re most comfortable with.   You’ll often find that those who keep quiet have the most to say. Lizzie Exton writes for Inspiring Interns, which specialises in sourcing candidates for  internships. To browse our  graduate jobs London listings, visit our website. Go to top Power-Influence-Office Politics: it comes down to your Strategic Relationships and understanding of how you build each one of these elements. I want to help you accelerate your career by connecting you with your Free Instant Access to my video that outlines all of this and meaningful actions you can take today!   Start watching now by clicking here! Brought to you by Dorothy Tannahill-Moran â€" dedicated to unleashing your professional potential. Introvert Whisperer